Create a 28-second photorealistic live-action film in full-frame 4:3 about photographer Dodas growing older. Preserve all seven timed shots and the continuous-feeling horizontal orbit. The final two shots show the SAME heavily overgrown memorial in the SAME condition. Natural acting, skin and materials, restrained cinematic colour and fine grain. Natural ambience and physical sounds only.

REFERENCES
@Video 1: camera direction, horizontal orbital path, height, timing, approximate staging and final settle. Use its coarse blocking, not its mannequin anatomy or intersecting hands. Use the closer dinner framing and separate hand positions below. In BOTH final shots, override the blocking's clean memorial with the same heavily overgrown old stone.
@Image 1: Dodas, 36.
@Image 2: Dodas, 50.
@Image 3: Dodas, 70.
@Image 4: Dodas, 90.
@Image 5: his wife, 50; dinner only.
@Image 6: his daughter, about 40; garden only, blue shirt and beige trousers.
@Image 7: his grandson, about 7; garden only.
@Image 8: the recurring silver-and-black film camera with brown strap.
@Image 9: memorial stone shape, base, aperture symbol and engraved layout; its clean surface is replaced by heavy weathering and overgrowth in BOTH final shots.
@Image 10: studio appearance.
@Image 11: the selected dining room with warm wood panels, a broad dusk window, a dark rectangular table and two high-back wooden chairs.
@Image 12: garden appearance.
@Image 13: terrace appearance for periods 4 and 5.
@Image 14: memorial-garden layout for shots 6 and 7; both show the same densely overgrown version of this site.
Each sheet shows multiple views of ONE person. Images 1–4 show the same man at different ages. Match each period's face, age, hair, proportions and clothing. Wife and daughter remain distinct. Reconstruct the referenced locations in the blocking video's perspective. Render one complete scene, without sheet panels, borders, captions or CGI placeholders.

CAMERA
Follow the original orbit in one direction. Move fastest through foreground occlusions, slow during each reveal, move slowest across the central human moment, then accelerate into the next occlusion. Actors move at natural speed. Use fixed wall edges indoors, rooted trees outdoors and structural terrace supports. At 4.0, 7.4, 12.4, 16.4, 20.4 and 25.0 seconds, briefly cover the entire frame as in the video; change scene only while fully hidden. The wipe at 25.0 connects two views of the same old memorial without a time jump or change in its condition. Foreground objects clear faces and gestures during the central beats. All transitions feel like invisible cuts inside the orbit, with no visible morphing, crossfades or extra revolutions.

1 — 0.0–4.0 — STUDIO, AGE 36
Use @Image 1 and @Image 10. Begin at the video's opening viewpoint with the studio partly revealed and Dodas holding the camera below his face. An octagonal softbox stands left, grey backdrop behind him to the right, soft window daylight and modest wooden shelving. He raises the single camera from @Image 8, supporting its lens and body with separate hands, makes one photograph around 2 seconds, then stays naturally engaged with the viewfinder. Relaxed shoulders and subtle breathing.

2 — 4.0–7.4 — DINNER, AGE 50
Use @Image 2, @Image 5 and the new dining room in @Image 11: dark rectangular table, high-back wooden chairs, warm wood panels and a broad window onto garden foliage at blue dusk. The couple occupy its two chairs, angled naturally toward each other with both faces readable. Reveal an intimate waist-up two-shot, about 1.5 times closer than the blocking, keeping complete heads inside the frame. Establish the narrower field of view under the incoming wipe and restore the next framing under the outgoing wipe; retain the orbit and timing. The doorway edge clears the couple during the central beat.
Replace the blocking's touching hands with separate resting poses. His left forearm and whole relaxed palm rest on bare tabletop beside HIS place setting; her right forearm and whole palm rest beside HER setting. Leave visible bare tabletop between their hands. Their other hands rest on their own thighs. Wrists remain naturally connected to their own forearms; hands stay above the solid tabletop, clear of plates. No reaching, interlocking fingers, mutual contact or prop handling. They exchange a look and small smiles with natural breathing and head movement. Keep the single camera from @Image 8 stationary on its own clear area, away from hands and plates. Both faces dominate; their separate resting hands and camera remain readable along the lower frame.

3 — 7.4–12.4 — GARDEN, AGE 70
Use @Image 3, @Image 6, @Image 7 and @Image 12. Exactly three people. Dodas and his grandson sit on the same wooden bench, the boy screen-right at the central viewpoint. His daughter stands slightly behind and screen-left, in her blue button-up shirt and beige trousers, with long brown hair and one hand resting on his shoulder. No table.
Around 8–9 seconds, Dodas tips the camera toward the boy while holding it securely in both hands; the boy leans in to see. Around 9–10 seconds, Dodas presses the shutter once. The boy reacts to the click, looks up at his grandfather and smiles. During 10–11.7 seconds, Dodas smiles back; the daughter leans in slightly and responds with a small smile and natural weight shift. Reactions follow each other with a slight human delay. The boy's hands remain on his own knees; Dodas keeps the camera throughout. Warm light through moving leaves, wooden fence, stepping stones and a subtly advanced house. Complete the exchange before the tree wipe.

4 — 12.4–16.4 — TERRACE, AGE 90
Use @Image 4 and @Image 13. Dodas rests in the dark green armchair, back supported, feet on the floor, camera secure in his hands on his lap. He breathes quietly and turns his gaze toward the sea. Keep the complete chair and feet at the blocking's scale. The round side table stands beside HIS right armrest, screen-left in the central front view, with a clear gap from his legs.
A tiny minimalist future civilian aircraft passes far away just above the sea horizon: a clean streamlined silhouette with concealed propulsion, suggesting everyday transport around 2080. Invent its design; it has no image reference. About 1 percent of frame width, softened by atmospheric haze, with no close flyby or camera tracking. Fully hide Dodas behind the support before the next period.

5 — 16.4–20.4 — EMPTY CHAIR
Reveal the identical terrace without Dodas. His camera lies on the chair cushion with its strap settled on the fabric. Keep the same chair, orientation, table beside the same right armrest, canopy, balustrade and horizon. Maintain the occupied period's chair scale and camera distance at corresponding orbital viewpoints. Let the empty chair and camera remain clearly readable through 17–20 seconds. No repeated aircraft pass.

6 — 20.4–25.0 — HEAVILY OVERGROWN MEMORIAL, FIRST PASS
Use @Image 9 for stone geometry and @Image 14 for site layout. From its FIRST reveal at 20.4 seconds, the memorial is already decades old and heavily overgrown. This exact condition applies to BOTH final shots, overriding the clean reference and blocking.
Preserve the stone silhouette, low base and aperture symbol. These four lines are physically engraved, with the name on two lines:
Dodas
Jagušák
f/9.0
The light remains.
Cover the weathered stone with dull patina, pitting, irregular lichen and broad moss patches spreading from the base and edges onto its face. Dense tall grass, ferns, creeping plants and leaf litter almost bury the base and partially hide the lower half. Keep the name and aperture symbol identifiable; the lower inscription may be obscured. No fresh flowers, clean plinth or maintained lawn. Moss follows the stone contours, without rounded blobs or uniform black drips.
Make the first close horizontal pass following this interval of @Video 1, with stone and vegetation textures clear and distant greenery softer. Establish two slender cypresses behind it, sloping terrain and the foreground tree trunk. Omit the location's marker stake and film border. Only leaves and grass move in the breeze. Finish behind the trunk at 25.0 seconds.

7 — 25.0–28.0 — IDENTICAL OVERGROWN MEMORIAL, SECOND PASS
After the wipe, make the second close horizontal pass following the video's direction and timing. Show the SAME stone at the SAME moment, matching every major moss patch, plant cluster, cypress trunk, terrain feature and light direction from shot 6. Nothing becomes older, cleaner or more overgrown. Keep stone scale consistent; no relocation. Reveal it clearly again by 25.6 seconds and continue to the final settle at 28.0. No growth animation, fade or title card.

SOUND
Natural ambience and synchronized foley only: quiet room tone, breathing, clothing, one shutter click around 2 seconds and another around 9–10 seconds, outdoor leaves, wind and distant waves. No music, score, melodic pads, musical drones, beats, singing, dialogue, narration or transition whooshes. Ignore the reference video's audio; use it only as visual blocking.